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Infobox?[edit]

I suggest something like this, --Gerda Arendt (talk) 23:25, 9 August 2015 (UTC)

Be aware of the egghunter. Minor point: there's no need to italicise name= or other_name= – the template will do that. -- Michael Bednarek (talk) 03:54, 10 August 2015 (UTC)

Thank you. Italics taken. If you mean the link for opera, - I think most readers interested in this work may know what an opera is and are helped more by the link to Wagner's 'operas' some of which he didn't want to have named operas ;) - When we deal with a choral work by Bruckner, we link to his such works, not general. for example. --Gerda Arendt (talk) 08:55, 10 August 2015 (UTC)

done --Gerda Arendt (talk) 22:58, 13 August 2015 (UTC)

Apologies Gerda, only just seen this. I don't think it very appropriate. Have removed it pending further discussion. I suggest that idf you are going to add these boxes as you have at other Wagner operas, you raise the issue first at WP:Opera and WP:Wagner.--Smerus (talk) 10:12, 27 August 2015 (UTC)

I followed the examples on the Ring operas and others, not added by me, and those of all Verdi operas, also not added by me. --Gerda Arendt (talk) 10:45, 27 August 2015 (UTC)

Bibliography[edit]

There is a long standing tradition in WP for having 'bibliographies' that may not necessarily equate to line references, variously listed by titles such as bibliographies or further reading. To remove all such sources, which editors presumably consulted, seems rather a purist approach. I would therefore reinstate these, if necessary, distinguishing those directly cited and those not, but that is a fluid situation, obviously. --Michael Goodyear (talk) 20:45, 29 October 2015 (UTC)

At least one of the removed sources was actually referenced in the text, but not done well. I will address that. Sources provide tools for future editors to improve pages, and should be only removed if irrelevant or unreliable. --Michael Goodyear (talk) 20:54, 29 October 2015 (UTC)

The prime purpose of citations is given in WP:CITE - 'By citing sources for Wikipedia content, you enable users to verify that the information given is supported by reliable sources, thus improving the credibility of Wikipedia while showing that the content is not original research. You also help users find additional information on the subject; and you avoid plagiarising the source of your words or ideas by giving attribution.' The key is that the bibliography list in an article cites sources. I know of no citation or authority for the 'long standing tradition' mentioned above. Adding in a bibliography works which are not cited is therefore misleading. There seems no point in adding (unless they are specifically cited) general dictionaries of opera and of music, or in adding out of date works relating to the topic which just happen to be available online; whilst adding to the list specialized books and articles which are not cited is a sort of WP:OR, drawing the reader's attention to works which are not reflected in the article text, just because they are favoured by an editor. A few articles carry lists of uncited works headed 'Further reading.' See Wikipedia:Further reading, which points out that 'Like the External links appendix, the inclusion of a Further reading section is optional, and many good articles, and more than half of all featured articles, omit it entirely. This section is present in fewer than 3% of Wikipedia's articles'. Best, --Smerus (talk) 06:26, 30 October 2015 (UTC)

David, First I acknowledge that you are an important contributor to the Wagner project and have a relevant academic background.

Second, I'm sure you know that the Met is broadcasting this Opera all over the world this weekend, so I expect this page to get a lot of hits, which was my motivation to try and bring up its usefulness as much as I could in a short time. Ideally I am sure both you and I would love to see all the Wagner opera page raised to at least GA status, but I don't have time right now, with a lot of other projects ongoing.

Third, WP MOS are deliberately worded as guidances, so some judgement is necessary. My judgement tends to be guided by two main principles - does it help make the page look professional - and does it improve the usefulness to end users. One can't cite sources for everything that goes on in WP and unfortunately given the vast number of contributors, standards are very uneven. My opinion was based not on any specific citable authority but on many years of actively contributing to WP, and many thousands of edits and articles (though not as many as you), and active involvement in steering WP projects, and thus in terms of what actually goes on out there, whether ideal or not. We all evolve personal editing styles based on experience and learning from others, but this is the first time I have encountered this particular principle spelled out like this - may be the Wagner project has its own styles and rules. (my preferred style is sfn with a separate bibliography, which facilitates maintenance). However it is interesting that WP allows of a wide range of citation styles. I make a careful distinction between citing for all the reasons we both know here and in academic scholarship, and providing useful bibliographies. WP's Citing guidance does not really address the issue, so I find no evidence to suggest a bibliography is in anyway misleading. However I agree with you that a number of bibliographies are sometimes lacking judicious selection, and Extermal links often worse. I really don't see any evidence of OR here. But I agree it would be wrong, if I understand you correctly, to have important material in a bibliography not used in the article, particularly if they express a point of view or facts contrary to that which is stated in the article. I also agree that a lot of things are optional, but that does not make them prohibited. I don't have any statistics on the frequency of usage, but that does not prove anything one way or another. Personally I don't find External links a useful concept - after all where possible one tries to make all of one's sources external links - and absorb them into bibliographies in my GAs and FLs. In this particular case, I am revising the page and intend to use most of the sources.

Thanks for your input and information --Michael Goodyear (talk) 01:56, 31 October 2015 (UTC)

PS The page statistics confirm a sharp rise in interest. I would be interested in the input of my friend @Gerda Arendt:, who has had a lot of experience in this area.--Michael Goodyear (talk) 03:44, 31 October 2015 (UTC)

Thank you, but still limited service, back tomorrow, and a backlog, --Gerda Arendt (talk) 09:30, 31 October 2015 (UTC)

Simply put, I think it is appropriate under WP style to reserve article 'sources' for works cited in the article. If there is a need to add 'further reading', then there ought imo to be a brief explanation and justification of why it is recommended - (e.g. Stebbings, Arthur (20XX). Book, Place:Publisher ISBNno. A general survey of the background to the first production.) otherwise it does indeed become WP:OR, simply a list of items which the editor likes. I don't think I have anything further to add on this topic, but you may care to raise it in a wider context e.g. in WP:WikiProject Opera. Best, --Smerus (talk) 09:36, 31 October 2015 (UTC)

PS Obviously, Michael Goodyear, I did not realize when I made my initial edits to the biliography that you were intending to expand the article. My apologies, and my thanks to you for your work.--Smerus (talk) 10:19, 31 October 2015 (UTC)

PPS. You give in the bilbiography 'DGG' as a reference. Can you please make clear the recording (e.g. conductor/orchestra, the catalogue number)), the name of the writer of the notes, and the page references. See e.g. Template:Cite AV media notes. Also we're lacking page references for Holden, and for Harewood and Peattie - Thanks --Smerus (talk) 12:57, 31 October 2015 (UTC)

Yes of course - I was in a hurry to get something on paper prior to the broadcast. --Michael Goodyear (talk) 21:38, 31 October 2015 (UTC)

PS I was also aware the recording was fully referenced in the subpage Tannhäuser discography--Michael Goodyear (talk) 21:51, 31 October 2015 (UTC)

There is actually another consideration. Unfortunately, there are many relatively good articles on WP which give a list of 'sources', with vary few or no line references (non English WP is often worse, even at GA level), for which they are often tagged. Since we are supposed to assume good faith, I assume that the contributors faithfully reproduced the spitit of the sources they used but maybe lacked the requisite skills for adding line references. I think that is a more charitable interpretation than OR. In which case it would be a disservice to the article to erase them and thereby divorce text from source. It then falls to more obsessive editors like you and I to take those sources and attempt to link them to the text line by line! I think it is actually a bigger issue than even WP Opera, but since you raise it, yes it would be a good idea to have a much more standardised approach to opera articles, something that has bothered me for some time.--Michael Goodyear (talk) 21:38, 31 October 2015 (UTC)

'Noted excerpts'[edit]

This seems to be a WP:OR listing, with no evidence or citations, or definition of what 'noted' might mean; or indeed any indication of what its point or purpose might be. All the important items are already mentioned and described as appropriate in the newly-updated synopsis. I am therefore deleting it on the gorunds of cruft and repetition.--Smerus (talk) 10:23, 31 October 2015 (UTC)

Another issue of broader implications than this page, since I see something similar on many opera pages--Michael Goodyear (talk) 21:40, 31 October 2015 (UTC)

For example? Not, I am sure on any opera articles which have been given GA or FA status.--Smerus (talk) 08:15, 1 November 2015 (UTC)

Probably not, admittedly I have not done a search on those categories. --Michael Goodyear (talk) 13:57, 1 November 2015 (UTC)

Synopsis[edit]

For clarification, I have deliberately separated stage directions and kept the italics in the original, from my paraphrase of the ensuing actions and words.--Michael Goodyear (talk) 22:24, 31 October 2015 (UTC)

This italicisation makes the synopsis very difficult to read, and is contrary to Wikipedia practice. Also it is not clear from the above whether the stage directions are translations of Wagner's originals (in which case citations would be apprpriate), or are yours (or another authority's) interpretation of them. Can you please clarify your clarification?--Smerus (talk) 08:13, 1 November 2015 (UTC)

In fact, here is the opening set of stage instructions, from the libretto which is cited in the article's external links:

Die Bühne stellt das Innere des Venusberges dar. Weite Grotte, welche sich im Hintergrunde durch eine Biegung nach rechts wie unabsehbar dahinzieht. Im fernsten sichtbaren Hintergrunde dehnt sich ein bläulicher See aus; in ihm erblickt man die badenden Gestalten von Najaden; auf seinen erhöhten Ufervorsprüngen sind Sirenen gelagert. Im äußersten Vordergrunde links liegt Venus auf einem Lager ausgestreckt, vor ihr halb kniend Tannhäuser, das Haupt in ihrem Schoße. Die ganze Grotte ist durch rosiges Licht erleuchtet. – Den Mittelgrund nimmt eine Gruppe tanzender Nymphen ein; auf etwas erhöhten Vorsprüngen an den Seiten der Grotte sind liebende Paare gelagert, von denen sich einzelne nach und nach in den Tanz der Nymphen mischen. – Ein Zug von Bacchantinnen kommt aus dem Hintergrunde in wildem Tanze dahergebraust; sie durchziehen mit trunkenen Gebärden die Gruppen der Nymphen und liebenden Paare, welche durch sie bald zu größerem Ungestüm hingerissen werden. – Dem immer wilder gewordenen Tanze antwortet wie im Echo derGesang der Sirenen

What is in the synopsis in the article as it stands is rather different from this - e.g. there is no mention here of the rape of Europa. If you are going to cite extensively from Wagner's own stage directions, the citations should be clear and accurate and it would be helpful to differentiate them by enclosing them in quote marks (which would save the optical confusion of long passages in italics). You should also make clear what is Wagner's original, and what is the additions or interpretations of some other authority, of the stage directions.--Smerus (talk) 08:33, 1 November 2015 (UTC)

The stage directions are paraphrases of those in my libretto, the one cited there, which are italicised in that edition. --Michael Goodyear (talk) 13:39, 1 November 2015 (UTC)

Clarified in bibliography and text. The link in external links is quite different, and appears to be a different edition to that used in the DGG recording. Indeed it is the Dresden edition, rather than the Paris edition!--Michael Goodyear (talk) 16:29, 1 November 2015 (UTC)

October 2015 upgrade[edit]

I have done some substantial work on this over the last week and it now looks more like a C than a Start. There is still a huge amount of work to do, eg thematic and musical analyses, relationships within Wagnerian canon. The literature is vast. However public interest has started to wane (at one point we had 3500 hits a day), so I will move on to other pressing projects for now. At the moment the issue as to whether bibliographies should contain 'Further Reading' or not is moot, since all entries are now incorporated into the article. --Michael Goodyear (talk) 16:21, 2 November 2015 (UTC)

Bibliography[edit]

We seem to have our knickers in a twist about the bibliography. Firstly, it is better to separate by sources and then by additional reading (that is, if you can justify the additional reading, see discussion above). Take a look at the layout at Richard Wagner, which is a featured article. Secondly, don't confuse different editions. The crappy old (and incomplete) translation of Wagner's 'Mein Leben' online is quite different form the complate and more accurate translation by Andrew Gray which I included as a separate cite - recent editing seems to have confused these two editions. Please sort out.

Presenting readers with a huge list of texts, some of which have been cited in the article, and some of which haven't, is confusing for the reader and militates aginst the clarity which Wikipedia strives for. and sorting them on a WP:OR basis as 'Books by and about the Wagners', etc. is also not helpful. Any text which is listed and not cited should have a careful explanation as to why it is important/relevant. Leah Garrett's book for example is absolute rubbish and totally underserving of a mention. Our mission is to inform, not to overload with a ton of cruft. Thanks, --Smerus (talk) 16:26, 2 November 2015 (UTC)

Assessment comment[edit]

The comment(s) below were originally left at Talk:Tannhäuser (opera)/Comments, and are posted here for posterity. Following several discussions in past years, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section.

Last edited at 10:11, 4 May 2012 (UTC).Substituted at 07:37, 30 April 2016 (UTC)

Motivations[edit]

The section presently headed 'Game Theory Analysis' had its title changed by me to 'Tannhäuser's motivations' - as its contents refer not only to games-theory but to Jungian interpretations. This has been reverted twice by an editor without explanation. I am referring the issue to WP:OPERA to seek other editors' opinions.--Smerus (talk) 12:26, 2 October 2016 (UTC)

It's not a particularly fleshed-out section. It was originally called 'Analysis', and added by Michael Goodyear: [1]. I'm even wondering if it should actually exist in such a tiny form. I think it should be expanded somewhat, from the citations given (and others if found); unfortunately the first two are not linked or visible. In any case, the section should not be called 'Game Theory Analysis', when in fact that is only one of several analyses referred to. It should probably be reverted to the original title. Softlavender (talk) 13:08, 2 October 2016 (UTC)

Yes ideally there should be a larger section (titled 'Reception' in many opera articles) which gives an overview of critical comment on the opera (and where appropriate of performances), which could include views on T's motivation. I will see what other citations I can find. In the meantime I will await any other comments before considering reverting the section title.--Smerus (talk) 19:31, 2 October 2016 (UTC)

I gave a very clear explanation for my deletion. As long as the article does not include a section about interpretations, then having a single section highlighting just one such opinion is biased and incomplete. It looks as though one author wants to pimp their specific work, and is in no way objective. If there were a thorough section of critical analysis of the opera, then it might make sense, but as such, it's simply out of place. Kirkmc (talk) 05:32, 4 October 2016 (UTC)

NB the title 'Tannhäuser's motivations' has now been restored by Kirkmc him/herself. As pointed out by Softlavender, other analyses are referred to in the paragraph, not 'just one'. In any case I am intending to expand the section over the next day or two.--Smerus (talk) 08:57, 4 October 2016 (UTC)

I don't recall the exact circumstances of its creation in Novemeber 2015, because I decided to move on rather than have two editors working on the page at the same time. I do recall that the sources had been on the page unused for a long time. I don't have any particular stake here. --Michael Goodyear (talk) 17:18, 6 October 2016 (UTC)

Pilgrim's Chorus[edit]

I corrected the identification of this theme in the section on the Overture. The famous Pilgrim's Chorus used there is the one from Act 3, Scene 1, not to be confused with the hymn sung by the pilgrims in Act 1, Scene 3. --Michael Snow (talk) 00:39, 19 February 2018 (UTC) Decrypt password tool. Sketchup 5 crack pes.

The correct full name[edit]

Hi! One short mention: the right full name of Tannhäuser is 'Tannhäuser und der Sängerkrieg auf Wartburg' without the second 'der'. This mistake is often done even in Germany because it sounds a bit strange missing the article at this place. Greetings! — Preceding unsigned comment added by 89.204.137.89 (talk) 08:58, 2 June 2018 (UTC)

Changed to it both times (was one before). --Gerda Arendt (talk) 10:00, 2 June 2018 (UTC)

Alsatian conductor Charles Munch was one of the most widely recorded symphonic conductors of the twentieth century. Here is a partial list of his recordings.

• 1Partial list of sound recordings by Charles Munch
• 2Video of Charles Münch on DVD

Partial list of sound recordings by Charles Munch[edit]

Dich Teure Halle Wagner Pdf Reader Free

Recordings made with the Amsterdam Concertgebouw Orchestra for Decca[edit]

• 1948 Brahms: Violin Concerto in D major, Op.77 Violinist: Ossy Renardy, also released by LYS
• 1948 Saint-Saëns: Danse macabre Violinist: Ossy Renardy

Recording made with the Bavarian Radio and Television Orchestra for Deutsche Grammophon[edit]

• 1968 Berlioz: Requiem, Op. 5 with the Bavarian Radio and Television Orchestra Chorus and Soloist: Peter Schreier

Broadcasts from Tokyo of the Boston Symphony Orchestra released by Altus[edit]

• 1960 Samuel Barber: Medea Meditation and Dance of Vengeance
• 1960 Ludwig van Beethoven: Symphony No. 5
• 1960 Hector Berlioz: Rackoczky March
• 1960 Hector Berlioz: Symphonie Fantastique
• 1960 Easley Blackwood: Symphony No. 1
• 1960 Claude Debussy: La Mer
• 1960 Georg Frideric Handel: Water Music, Andante and Alla Pipehorn
• 1960 Japanese National Anthem: Kimi Ga Yo
• 1960 Felix Mendelssohn: Octet, Scherzo
• 1960 Walter Piston: Symphony No. 6
• 1960 Maurice Ravel: Daphnis et Chloé, Suite No. 2
• 1960 Albert Roussel: Bacchus and Adriane, Suite No. 2
• 1960 Francis Scott Key: Star Spangled Banner
• 1960 Richard Wagner: Die Meistersinger – Act III Excerpts

Broadcasts from Moscow of the Boston Symphony Orchestra released by Ars Nova[edit]

• 1956 Dukas: The Sorcerer's Apprentice
• 1956 Haydn: Symphony No. 102 in B-flat Major, Hob.I-102
• 1956 Ravel: Daphnis et Chloé, Suite No. 2, same as Arte release
• 1956 Richard Strauss: Don Juan, Op. 20

Broadcast from Moscow of the Boston Symphony Orchestra released by Arte[edit]

• 1956 Beethoven: Symphony No. 3 in E-Flat Major, Op. 55
• 1956 Ravel: Daphnis et Chloé, Suite No. 2, same as Arts Nova release
• 1956 Schumann: Symphony No. 2 in C Major, Op. 61, Adagio

Broadcasts of the Boston Symphony Orchestra from Symphony Hall Centennial Set released by the Boston Symphony Orchestra[edit]

• 1953 Auber: La Muette de Portici Overture, same as West Hill Radio Archives release
• 1953 Prokofiev: Love for Three Oranges March and Scherzo
• 1958 Roussel: Suite in F Op. 33
• 1959 Fauré: Pénélope Overture, same as Music & Arts release
• 1959 Franck: Le Chasseur Maudit (The Accursed Hunter)
• 1962 Debussy: La Mer
• 1962 Ravel: La Valse

Broadcast from Tanglewood of the Boston Symphony Orchestra released by the Boston Symphony Orchestra[edit]

• 1953 Richard Strauss: Don Quixote, Op. 35 Cellist: Gregor Piatigorsky, Violist: Joseph de Pasquale, and Violinist: Richard Burgin

Broadcast from Edinburgh of the Boston Symphony Orchestra released by ICA[edit]

• 1956 Haydn: Symphony No. 102 in B flat Major, Hob.I-102

Broadcast of the Boston Symphony Orchestra released by Living Stage[edit]

• 1958 Honegger: Symphony No. 3

Broadcasts of the Boston Symphony Orchestra released by Memories[edit]

• 195? Brahms: Violin Concerto in D Minor, Op. 77 with Joseph Szigeti
• 1952 Mozart: Symphony No. 41 in C, K. 551, Jupiter, same as West Hill Radio Archives release
• 1954 Mozart: Symphony No. 31 in D major, K. 297, Paris
• 1956 Beethoven: Piano Concerto No. 3 in c, Op. 37 with Clara Haskil, same West Hill Radio Archives and Music & Arts releases
• 1958 Bruckner: Symphony No. 7 in E Major, WAB 107
• 1958 Mozart: Symphony 35 in D major, K. 385 'Haffner'
• 1959 Mozart: Symphony 38 In D Major, K. 504, 'Prague'
• 1959 Mozart: Symphony 40 In G Minor, K. 550
• 1961 Berlioz: Romeo and Juliet, Op. 17 with the Berkshire Festival Chorus and Soloists: Florence Kopleff, Donald Gramm, and John McCollum
• 1961 Ravel: La Valse
• 1962 Mozart: Requiem in D Minor, K. 626 with Phyllis Curtin, Florence Kopleff, Blake Stern, Mac Morgan, and Berkshire Festival Chorus
• 1962 Mozart: Symphony 36 In C, K 425, 'Linz'
• 1962 Ravel: Daphnis & Chloe with Berkshire Festival Chorus

Broadcast from Prague of the Boston Symphony Orchestra released by Multisonic[edit]

• 1956 Brahms: Symphony No. 2 in D Major, Op. 73
• 1956 Honegger: Symphony No. 3

Broadcasts of the Boston Symphony Orchestra released by Music & Arts[edit]

• 1956 Beethoven: Piano Concerto No. 3 in C minor, Op. 37 with Clara Haskil, same as Memories and West Hill Radio Archives releases
• 1956 Mozart: Piano Concerto No. 9 in E-flat, K. 271 with Clara Haskil
• 1956 Wagner: Die Walkure, Act One: Margaret Harshaw, Albert Da Costa, and Jan Pierce
• 1959 Fauré: Pelléas et Mélisande Suite, Op. 80
• 1959 Fauré: Pénélope Overture, same as BSO release
• 1959 Franck: Le Chasseur maudit (The Accursed Hunter)
• 1960 Fauré: Ballade for Piano and Orchestra with Nicole Henriot-Schweitzer
• 1961 Franck: Symphonic Variations with Vlado Perlemuter
• 1961 Franck: Symphony in D minor
• 1961 Ravel: Daphnis et Chloé, with chorus of Berkshire Festival
• 1962 Debussy: Nocturnes
• 1962 Debussy: Printemps
• 1962 Debussy: La mer
• 1962 Ravel: La valse

Recordings made with the Boston Symphony Orchestra for Pristine Classics (RCA transfers, unless noted)[edit]

• 1949 Beethoven: Gratulations Menuet W.o.O.3
• 1949 Schubert: Symphony No. 2 in B-flat Major, D.12
• 1950 Brahms: Symphony No. 4 in E Minor, Op. 98
• 1951 Schumann: Symphony No. 1 in B-flat Major, Op. 38, Spring
• 1955 Wagner: Tannhäuser, Elisabeth's Aria - 'Dich Teure Halle' Soprano: Margaret Hershaw, Symphony Hall Broadcast
• 1955 Wagner: Der Fliegende Hollander, Senta's Ballad - 'Jo ho ho hoe!', Soprano: Margaret Hershaw, Symphony Hall Broadcast
• 1955 Wagner: Götterdämmerung - Brunhilde's Immolation, Soprano: Margaret Hershaw, Symphony Hall Broadcast
• 1956 Debussy: Prélude à l'après-midi d'un faune with Flutist Doriot Anthony Dwyer
• 1957 Bloch: Schelomo Cellist: Gregor Piatigorsky
• 1958 d'Indy: Symphonie sur un chant montagnard français (Symphony on a French Mountain Air) Pianist: Nicole Henriot-Schweitzer
• 1958 Alexei Haieff: Symphony No. 2
• 1958 Ravel: Piano Concerto in G Major Pianist: Nicole Henriot-Schweitzer
• 1957 Walton: Cello Concerto Cellist: Gregor Piatigorsky
• 1957 Wagner: Götterdämmerung - Brunhilde's Immolation Soloist: Eileen Farrell
• 1958 Vaughan Williams: Symphony No. 8 in D minor, Tanglewood broadcast
• 1959 Mendelssohn: Violin Concerto Violinist: Jascha Heifetz
• 1960 Dvořák: Cello Concerto in B Minor, Op. 104 Cellist: Gregor Piatigorsky

Broadcast of the Boston Symphony Orchestra released by Tahra[edit]

• 1951 Tchaikovsky: Violin Concerto in D Major, Op.35, (1st movement only) Violinist: Michèle Auclair
• 1956 Barber: Adagio for Strings, Op. 11
• 1956 Ludwig Van Beethoven: Symphony No. 3 Eroica in E
• 1956 Brahms: Symphony No. 2 in D Major, Op. 73
• 1956 Claude Debussy: La Mer, L. 109
• 1961 Brahms: Variations on a Theme by Haydn, Op. 56
• 1961 Tchaikovsky: Symphony No. 6, 'Pathetique', Op. 74
• 1962 Mozart: Requiem: Phyllis Curtin, Florence Kopleff, Blake Stern, Mac Morgan, and Berkshire Festival Chorus

Broadcasts of the Boston Symphony Orchestra released by West Hill Radio Archives[edit]

• 1951 Richard Strauss: Tod und Verklärung
• 1952 Beethoven: Concerto No. 5 in E-flat, Emperor, Pianist: Lélia Gousseau
• 1952 Honegger: La Danse des Morts, Soloist: Betty Allen, Mariquita Moll, Arnold Moss and Gérard Souzay with New England Conservatory Chorus
• 1952 Mendelssohn; Symphony No. 4 in A, Italian
• 1952 Mozart: Symphony No. 41 in C, K. 551. Jupiter, same as Memories release
• 1952 Schubert: Symphony No. 5 in B-flat
• 1952 Schubert: Symphony No. 8 in B minor, Unfinished
• 1952 Wagner: Tristan and Isolde – Prelude & Liebestod
• 1953 Auber: La Muette de Portici Overture, same as BSO release
• 1953 Beethoven: Symphony No. 2 in D
• 1953 Beethoven: Symphony No. 3 in E-flat, Eroica
• 1953 Brahms: Piano Concerto No. 2 in B-flat, Pianist: Claudio Arrau
• 1953 Debussy: Ibéria
• 1953 Lalo: Symphonie Espagnole, (Missing Movement III), Violinist: Ruth Posselt
• 1953 Ravel: Le Tombeau de Couperin
• 1953 Richard Strauss: Divertimento (after Couperin)
• 1953 Wagner: Die Meistersinger – Act III Excerpts
• 1954 Beethoven: Symphony No. 7 in A, Op. 92
• 1954 Beethoven: Violin Concerto in D, Op. 61, Violinist: Zino Francescatti
• 1954 Berlioz: Beatrice and Benedict Overture
• 1954 Berlioz: Harold in Italy Violist: Joseph de Pasquale
• 1954 Brahms: Variations on a Theme by Haydn
• 1954 Dvořák: Symphony No. 9 in E minor, From the New World, Op. 95
• 1954 Ibert: Flute Concerto, Flutist: Doriot Anthony Dwyer
• 1954 Saint-Saëns: Symphony No. 3 in C minor 'Organ', Organist: E. Power Biggs
• 1954 Richard Strauss: Allerseelen, Wiegenlied, Morgen, Ständchen, Soprano: Irmgard Seefried
• 1954 Wagner: Eine Faust Overture
• 1955 Beethoven: Violin Concerto in D, Op. 61, Violinist: Jascha Heifetz
• 1955 Beethoven: Die Weihe des Hauses, Op. 124: Overture
• 1954 Berlioz: Les nuits d'été Soprano: Victoria de los Ángeles
• 1955 Brahms: Symphony No. 2 in D, Op. 73 (9/30/55)
• 1955 Debussy: La Damoiselle élue Soprano: Victoria de los Ángeles with Radcliffe Choral Society
• 1955 Milhaud: Symphony No. 6
• 1955 Ravel: Introduction and Allegro for Harp, Flute, Clarinet, and Strings, Harp: Bernard Zighera, Flute: Doriot Anthony Dwyer, and Clarinet: Gino Cioffi
• 1955 Ravel: Rapsodie espagnole
• 1955 Roussel: Suite in F
• 1955 Schumann: Symphony No. 2 in C
• 1955 Richard Strauss: Don Juan, Op. 20
• 1956 Beethoven: Leonore Overture No. 2, Op. 72
• 1956 Beethoven: Piano Concerto No. 3 in C minor, Op. 37, Pianist: Clara Haskil
• 1956 Beethoven: Symphony No. 3 Eroica in E
• 1956 Beethoven: Symphony No. 6 Pastoral in F, Op. 68
• 1956 Brahms: Concerto for Piano and Orchestra No. 1 in D minor, Op. 15, Pianist: Rudolf Serkin
• 1956 Brahms: Concerto for Violin, Cello and Orchestra in A minor, Violinist: Zino Francescatti and Cellist: Samuel Mayes
• 1956 Fauré: Requiem, Adele Addison, Donald Gramm, Harvard Glee Club and Radcliffe Choral Society
• 1956 Schumann: Symphony No.4 in D minor, Op.120
• 1957 Beethoven: Piano Concerto No. 5 Emperor in E flat, Op. 73. Pianist: Claudio Arrau
• 1957 Brahms: Academic Festival Overture, Op. 80
• 1957 Debussy: Images pour orchestre
• 1957 Franck: Symphony in D Minor
• 1957 Schumann: Cello Concerto in A minor, Op. 129, Cellist: Pierre Fournier
• 1957 Richard Strauss: Ein Heldenleben, Violinist: Richard Burgin
• 1958 Berlioz: Le Corsaire Overture
• 1958 Debussy: Jeux
• 1958 Debussy: La Mer
• 1958 d'Indy: Symphonie sur un chant montagnard français (Symphony on a French Mountain Air) Pianist: Nicole Henriot-Schweitzer (the Conductor's niece)
• 1958 Ravel: La Valse
• 1958 Ravel: Piano Concerto in G Major Pianist: Nicole Henriot-Schweitzer
• 1958 Ravel: La valse
• 1955 Ravel: Rapsodie Espagnole
• 1958 Ravel: Valses nobles et sentimentales
• 1960 Beethoven: Creatures of Prometheus - Excerpts
• 1960 Beethoven: Piano Concerto No. 1 in C Major, Op. 15 Pianist: Sviatoslav Richter
• 1960 Brahms: Piano Concerto No. 2 in B-flat, Op. 98 Pianist: Sviatoslav Richter

Recordings made with the Boston Symphony Orchestra for RCA Victor[edit]

• 1949 Beethoven: Symphony No. 7 in A Major, Op. 92, same as Tahra release
• 1949 Beethoven: Gratulations Menuet W.o.O.3, same as Tahra release
• 1949 Schubert: Symphony No. 2 in B-flat Major, D.125
• 1949 Berlioz: Beatrice et Benedict Overture
• 1950 Beethoven: Symphony No. 1 in C Major, Op. 15
• 1950 Brahms: Symphony No. 4 in E Minor, Op. 98
• 1950 Haydn: Symphony No. 103 in E-flat Major, Hob.I-103
• 1950 Haydn: Symphony No. 104 in D Major, Hob.I-104
• 1950 Handel arranged by Sir Hamilton Harty: Water Music Suite
• 1950 Ravel: Rapsodie Espagnole
• 1950 Ravel: La Valse
• 1950 Lalo: Le Roi d'Ys Overture
• 1951 Bruch: Violin Concerto No. 1 in G Minor, Op.26 Violinist: Yehudi Menuhin
• 1951 Mozart: Le nozze di Figaro Overture
• 1951 Saint-Saëns: La Princesse Jaune Overture
• 1951 Schumann: Symphony No. 1 in B-flat Major, Op. 38, Spring
• 1951 Schumann: Genoveva Overture, Op. 81
• 1952 Brahms: Piano Concerto No. 2 in B-flat, Op. 98 Pianist: Arthur Rubinstein
• 1952 Honegger: Symphony No. 5, Di tre Re
• 1952 Ravel: Pavane pour une Infante Defunte
• 1952 Roussel: Bacchus et Ariane, Suite No. 2
• 1953 Berlioz: Romeo and Juliet, Op. 17 with the Harvard Glee Club and Radcliffe Choral Society and Soloists: Margaret Roggero, Leslie Chabay, and Yi-Kwei Sze
• 1953 Honegger: Symphony No. 2
• 1953 Richard Strauss: Don Quixote, Op. 35 Cellist: Gregor Piatigorsky, Violist: Joseph de Pasquale, and Violinist: Richard Burgin
• 1953 Tchaikovsky: Violin Concerto in D Major, Op.35 Violinist: Nathan Milstein
• 1954 Berlioz: La damnation de Faust with the Harvard Glee Club and Radcliffe Choral Society and Soloists Suzanne Danco, David Poleri, Martial Singher and Donald Gramm (added to the National Recording Registry for 2005)
• 1954 Berlioz: Symphonie Fantastique
• 1954 Chopin: Piano Concerto No. 2 in F Minor, Op. 21 Pianist: Alexander Brailowsky
• 1954 Menotti: Violin Concerto Violinist: Tossy Spivakovsky
• 1954 Saint-Saëns: Piano Concerto No. 4 in C Minor, Op. 44 Pianist: Alexander Brailowsky
• 1955 Beethoven: Violin Concerto Violinist: Jascha Heifetz
• 1955 Beethoven: Symphony No. 5 in C Minor, Op. 67
• 1955 Beethoven: Symphony No. 6 in F major, Op. 68
• 1955 Berlioz: Nuits d'été, soprano Victoria de los Ángeles, also released by Testament
• 1955 Brahms: Symphony No. 2 in D Major, Op. 73
• 1955 Brahms: Tragic Overture, Op. 81
• 1955 Chausson: Poème Violinist: David Oistrakh
• 1955 Debussy: La Damoiselle élue with the Radcliffe Choral Society Soloists Victoria de los Ángeles and Carol Smith, also released by Testament
• 1955 Ravel: Daphnis et Chloé, with the New England Conservatory Chorus
• 1955 Ravel: La valse
• 1955 Saint-Saëns: Introduction and Rondo Capriccioso Violinist: David Oistrakh
• 1955 Schubert: Symphony No. 8 in B minor, D 759 The Unfinished
• 1955 Tchaikovsky: Symphony No. 4 in F Minor, Op.36
• 1956 Beethoven: Coriolan Overture, Op. 62
• 1956 Beethoven: Fidelio Overture, Op. 72b
• 1956 Beethoven: Leonore Overture No. 1, Op. 138
• 1956 Beethoven: Leonore Overture No. 2, Op. 72
• 1956 Beethoven: Leonore Overture No. 3, Op. 72a
• 1956 Berlioz: L'Enfance du Christ (issued in mono only on RCA Victor Red Seal LP; issued in stereo on RCA Victrola LP and CD), with the New England Conservatory Chorus and soloists Florence Kopleff, Giorgio Tozzi, Cesare Valletti and Gerard Souzay
• 1956 Brahms: Symphony No. 1 in C Minor, Op. 68
• 1956 Debussy: La Mer
• 1956 Debussy: Le Martyre de Saint Sebastien with the New England Conservatory Chorus Soloists Florence Kopleff, Catherine Akos, Phyllis Curtin, and Charles Münch
• 1956 Debussy: Prélude à l'après-midi d'un faune with Flutist Doriot Anthony Dwyer
• 1956 Ibert Escales
• 1956 Martinů: Symphony No. 6 Fantaisies Symphoniques
• 1956 Mozart: Mozart at Tanglewood: Clarinet Concerto, and Quintet, with Clarinetist: Benny Goodman, Cellist: Samuel Mayes, Violist: Joseph de Pasquale, and Violinist: Richard Burgin and Alfred Krips
• 1956 Piston: Symphony No. 6
• 1956 Ravel: Bolero
• 1956 Ravel: Rapsodie Espagnole
• 1956 Tchaikovsky: Francesca da Rimini, Op. 32
• 1956 Tchaikovsky: Romeo and Juliet Fantasy Overture
• 1957 Johann Sebastian Bach: Brandenburg Concertos No.1 - 6, BWV1046-1051
• 1957 Barber: Medea's Meditation and Dance of Vengeance, Op. 23a
• 1957 Barber: Adagio for Strings, Op. 11
• 1957 Beethoven: Symphony No. 3 in E-Flat Major, Op. 55
• 1957 Bloch: Schelomo Cellist: Gregor Piatigorsky, also released by Testament
• 1957 Debussy: Images pour orchestre
• 1957 Dukas: The Sorcerer's Apprentice
• 1957 Elgar: Introduction and Allegro for Strings, Op. 47
• 1957 Franck: Symphony in D Minor
• 1957 Mendelssohn: Symphony No. 3
• 1957 Mendelssohn: Symphony No. 5
• 1957 Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16 Pianist: Nicole Henriot-Schweitzer
• 1957 Prokofiev: Romeo and Juliet - excerpts, Op. 64a/b and Op. 101
• 1957 Rachmaninoff: Piano Concerto No. 3 in D Minor, Op. 30 Pianist: Byron Janis
• 1957 Saint-Saëns: Omphale's Spinning Wheel, Op. 31
• 1957 Smith, John Stafford: Star Spangled Banner
• 1957 Tchaikovsky: Serenade for Strings, Op. 48
• 1957 Walton: Cello Concerto Cellist: Gregor Piatigorsky
• 1957 Wagner: Götterdämmerung - Brunhilde's Immolation Soloist: Eileen Farrell
• 1957 Wagner: Götterdämmerung - Siegfried's Rhine Journey
• 1957 Wagner: Tannhäuser - Overture and Bacchanale (Paris Version)
• 1957 Wagner: Tristan and Isolde - Prelude and Liebestod Soloist: Eileen Farrell
• 1957 Wagner: Die Walküre - The Magic Fire Music
• 1958 Beethoven: Symphony No. 8 in F Major, Op. 93
• 1958 Berlioz: Beatrice et Benedict Overture
• 1958 Berlioz: Le carnaval romain Overture, Op. 9
• 1958 Berlioz: Le corsaire Overture, Op. 21
• 1958 Berlioz: Harold in Italy, Op. 16, Violist: William Primrose
• 1958 Easley Blackwood: Symphony No. 1
• 1958 Brahms: Piano Concerto No. 1 in D Minor, Op. 15 Pianist: Gary Graffman
• 1958 d'Indy: Symphonie sur un chant montagnard français (Symphony on a French Mountain Air) Pianist: Nicole Henriot-Schweitzer (the Conductor's niece)
• 1958 Alexei Haieff: Symphony No. 2
• 1958 Mahler: Kindertotenlieder Soloist: Maureen Forrester
• 1958 Mahler: Songs of the Wayfarer Soloist: Maureen Forrester
• 1958 Ravel: Mother Goose Suite
• 1958 Ravel: Piano Concerto in G Major Pianist: Nicole Henriot-Schweitzer
• 1958 Mendelssohn: Symphony No. 4
• 1958 Schubert: Symphony No. 9, D 944 The Great
• 1958 Beethoven: Symphony No. 9 in D Minor, Op. 125 The Choral with the New England Conservatory Chorus and soloists Leontyne Price, Maureen Forrester, David Poleri, and Giorgio Tozzi
• 1959 Berlioz: Benvenuto Cellini Overture, Op. 23
• 1959 Berlioz: Requiem, Op. 5 with the New England Conservatory Chorus and Soloist: Léopold Simoneau
• 1959 Berlioz: Les Troyens - Royal Hunt and Storm Music
• 1959 Mendelssohn: Violin Concerto Violinist: Jascha Heifetz
• 1957 Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63 Violinist: Jascha Heifetz
• 1959 Schumann: Symphony No. 1 in B-flat Major, Op. 38, Spring
• 1959 Schumann: Manfred Overture, Op. 115
• 1959 Tchaikovsky: Violin Concerto in D Major, Op.35 Violinist: Henryk Szeryng.
• 1959 Saint-Saëns: Symphony No. 3 (Organ Symphony) Organist: Berj Zamkochian
• 1959 Bach: Violin Concerto No.1, BWV1041, Violinist: Jamie Laredo
• 1960 Beethoven: Creatures of Prometheus - Excerpts
• 1960 Beethoven: Piano Concerto No. 1 in C Major, Op. 15 Pianist: Sviatoslav Richter
• 1960 Chopin: Piano Concerto No. 1 in C Minor, Op. 11 Pianist: Gary Graffman
• 1960 Dvořák: Cello Concerto in B Minor, Op. 104 Cellist: Gregor Piatigorsky
• 1960 Mendelssohn: Capriccio Brillant in B Minor, Op. 22 Pianist: Gary Graffman
• 1960 Mendelssohn: Octet - Scherzo in E-flat Major, Op. 20, arranged for strings
• 1960 Milhaud: La Création du Monde Op. 81
• 1960 Milhaud: Suite Provençale Op. 152b
• 1960 Poulenc: Concerto for Organ, Strings, and Timpani Organist: Berj Zamkochian and Timpanist: Everett Firth
• 1960 Schubert: Symphony No. 2 in B-flat Major, D.125
• 1960 StravinskyJeu de cartes
• 1961 Berlioz: Romeo and Juliet, Op. 17 with the New England Conservatory Chorus and Soloists: Rosalind Elias, Cesare Valetti, and Giorgio Tozzi
• 1961 Dvořák: Symphony No. 8 in G Major, Op. 88
• 1961 Ravel: Daphnis et Chloé, with the New England Conservatory Chorus
• 1961 Richard Strauss: Till Eulenspiegel's Merry Pranks, Op. 28
• 1961 Tchaikovsky: Romeo and Juliet Fantasy Overture
• 1962 Tchaikovsky: Symphony No. 6 in B Minor, Op.74
• 1962 Berlioz: Symphonie Fantastique
• 1962 Chausson: Symphony
• 1962 Debussy: Nocturnes - Nuages and Fetes
• 1962 Debussy: Printemps
• 1962 Debussy: Prélude à l'après-midi d'un faune Flutist: Doriot Anthony Dwyer
• 1962 Franck: Le Chasseur Maudit (The Accursed Hunter)
• 1962 Ravel: Bolero
• 1962 Ravel: La Valse
• 1962 Ravel: Pavane pour une Infante Defunte
• 19?? Schumann: Piano Concerto, Pianist: Van Cliburn (Never Issued)

Broadcasts of the Chicago Symphony Orchestra released by the Chicago Symphony Orchestra's From the Archives Series[edit]

• 1963 Rameau orchestrated by d'Indy: Dardanus Suite
• 1966 Roussel: Bacchus et Ariane, Suite No. 2
• 1967 Roussel: Symphony No. 3 in G Minor, Op. 42

Recording made with the Czech Philharmonic for Multisonic[edit]

• 1957 Honegger: Symphony No. 2

Recording made with the Czech Philharmonic for Praga[edit]

• 1957 Franck: Symphony in D minor

Recording made with freelance orchestra of London musicians for HMV, Naxos, and Warner[edit]

• 1935 Saint-Saëns: Piano Concerto No. 4 in C Minor, Op. 44 Pianist: Alfred Cortot

Recording made with freelance orchestra of Paris musicians for , also released by A Classical Record, HMV, and Warner[edit]

• 1941 Georg M. Hoffman: Meine Seele Ruhmt und Priest Soloist: Pierre Bernac

Recording made with the Hungarian Radio and Television Orchestra for Philips[edit]

• 1966 Berlioz: Symphonie Fantastique

Recordings made with London Philharmonic for Decca[edit]

• 1947 Roussel: The Spider's Banquet, also released by LYS
• 1947 Roussel: Suite in F Op. 33, also released by LYS
• 1947 Bizet: Symphony in C
• 1947 Bizet: Jolie Fille de Perth - Danse bohèmienne

Broadcast of the NBC Symphony released by Memories, same as Music & Arts set[edit]

• 1954 Debussy: Ibéria
• 1954 Ravel: Le Tombeau de Couperin
• 1954 Roussel: Bacchus et Ariane, Suite No. 2

Broadcast of the NBC Symphony released by Music & Arts, same as Memories set[edit]

• 1954 Debussy: Iberia
• 1954 Ravel: Le Tombeau de Couperin
• 1954 Roussel: Bacchus et Ariane, Suite No. 2

Recordings made with the New Philharmonia Orchestra for Decca[edit]

• 1966 Offenbach, arranged by Manuel Rosenthal: Gaîté Parisienne
• 1966 Bizet: L'Arlésienne Suite
• 1966 Bizet: Carmen Suite
• 1967 Respighi: Fontane di Roma
• 1967 Respighi: Pini di Roma

Recordings made with the New York Philharmonic for Columbia Records[edit]

• 1947 Saint-Saëns: Symphony No. 3. Soloist: E. Niels-Berger
• 1948 d'Indy: Symphonie sur un chant montagnard français Pianist: Robert Casadesus
• 1948 Mozart: Piano Concerto No. 21 in C Major, KV 467 Pianist: Robert Casadesus

Broadcast of the New York Philharmonic issued by LYS[edit]

• 1948 Chabrier: Bourrée fantasque
• 1948 d'Indy: Symphonie sur un chant montagnard français Pianist: Robert Casadesus
• 1948 Liszt: Piano Concerto No. 2 Pianist: Robert Casadesus
• 1948 Mozart: Symphony No. 35 in D Major Haffner'

Broadcasts of the New York Philharmonic released by Music & Arts[edit]

• 1949 Chausson: Poème Violinist: Ginette Neveu
• 1949 Ravel: Daphnis & Chloé, Suite No. 2
• 1949 Ravel: Tzigane Violinist: Ginette Neveu

Recordings made with the New York Philharmonic for Pristine Classics[edit]

• 1947 Saint-Saëns: Symphony No. 3. Soloist: E. Niels-Berger, same as Columbia release
• 1948 d'Indy: Symphonie sur un chant montagnard français Pianist: Robert Casadesus, same as Columbia release
• 1948 Mozart: Piano Concerto No. 21 in C Major, KV 467 Pianist: Robert Casadesus, same as Columbia release
• 1948 Chabrier: Bourrée fantasque, same as LYS release
• 1948 Liszt: Piano Concerto No. 2 Pianist: Robert Casadesus, same as LYS release
• 1948 Mozart: Symphony No. 35 in D Major Haffner', same as LYS release

Recordings made with the Orchestre de l'Association des Concerts Lamoureux for Erato and Warner[edit]

• 1965 Dutilleux: Symphony No. 2, Le double
• 1965 Lalo: Cello Concerto in D Minor Cellist: André Navarra
• 1965 Roussel: Suite in F Major, Op. 33
• 1965 Roussel: Symphony No. 3 in G Minor, Op. 42
• 1965 Roussel: Symphony No. 4 in A Major, Op. 53
• 1965 Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33 Cellist: André Navarra

Recordings (Live) made with the Orchestre de Paris on Altus[edit]

• 1967 Berlioz: Symphonie Fantastique
• 1967 Debussy: 'La Mer'
• 1967 Stravinsky: Requiem Canticles

Recordings made with the Orchestre de Paris for EMI/Angel and Warner[edit]

• 1967 Berlioz: Symphonie Fantastique
• 1967 Brahms: Symphony No. 1 in C Minor, Op. 68
• 1967 Honegger: Symphony No. 2
• 1967 Ravel: Bolero
• 1967 Ravel: Daphnis et Chloé Suite No. 2
• 1968 Ravel: Pavane pour une Infante Defunte
• 1968 Ravel: Piano Concerto in G Major Pianist: Nicole Henriot-Schweitzer
• 1968 Ravel: Rapsodie Espagnole

Recordings made with the Orchestre national de France for Auvidis-Valois, previously issued on Disques Montaigne*[edit]

• 1962 Debussy: La Mer*
• 1962 Debussy: Iberia*
• 1962 Debussy: Fantasy for Piano and Orchestra Pianist: Nicole Henriot-Schweitzer*
• 1962 Dutilleux: Symphony No. 2Le Double*
• 1962 Honegger: Symphony No. 1*
• 1962 Honegger: Le Chant de Nigamon
• 1962 Honegger: Pastorale d'été
• 1962 Roussel: Bacchus et Ariane, Suite No. 2*
• 1963 Beethoven: Symphony No. 7 in A Major, Op. 92
• 1963 Beethoven: Consecration of the House Overture, Op. 124
• 1963 Berlioz: Symphonie fantastique
• 1964 Beethoven: Symphony No. 4 in B-flat Major, Op. 60
• 1964 Honegger: Symphony No. 2
• 1964 Honegger: Symphony No. 5, Di tre Re
• 1964 Roussel: Symphony No. 3 in G Minor, Op. 42
• 1964 Sibelius: Lemminkäinen Suite (The Swan of Tuonela, Lemminkäinen's Return), Op. 22
• 1965 Brahms: Symphony No. 2 in D Major, Op. 73
• 1966 Berlioz: Benvenuto Cellini Overture, Op. 23
• 1966 Fauré: Pelléas et Mélisande Suite Op. 80
• 1966 Roussel: Symphony No. 4 in A Major, Op. 53
• 1966 Roussel: Bacchus et Ariane, Suite No. 2
• 1966 Schumann: Symphony No. 4 in D Major, Op. 120
• 1967 Berlioz: Le corsaire Overture, Op. 21
• 1967 Franck: Symphony in D Minor

Broadcast made with the Orchestre national de France for Cascavelle[edit]

• 1953 Berlioz: Roméo et Juliette Op. 17., Soloists: Irma Kolassi, Joseph Peyron, Lucien Lovano with National Orchestra Chorus of Radio France

Broadcasts of the Orchestre national de France for Euromuses[edit]

• 1958 Schmitt: Symphony No. 2
• 1962 Debussy: Fantasy for Piano and Orchestra, Pianist: Nicole Henriot-Schweitzer

Recordings made with the Orchestre national de France for HMV[edit]

• 1949 Berlioz: Symphonie Fantastique, also released by A Classical Recording, LYS, TAHRA, and Warner
• 1957 Schumann: Piano Concerto, Pianist: Samson François

Recordings made with the Orchestre national de l'O.R.T.F. for Accord[edit]

• 1961 Barraud: Symphony No. 3
• 1961 Roussel: Bacchus et Ariane, Suite No. 2
• 1962 Debussy: Ibéria
• 1962 Debussy: La mer
• 1962 Debussy: Trois Nocturnes

Recordings made with the Orchestre national de l'O.R.T.F. for Erato and Warner[edit]

• 1967 Dutilleux: Métaboles
• 1967 Honegger: Symphony No. 4 Deliciae basiliensis
• 196? Roussel: Suite in F Op. 33

Broadcast made with the Orchestre national de l'O.R.T.F. for Music & Arts[edit]

• 1951 Saint-Saëns: Violin Concerto No. 3 in B minor, Op. 61, Violinist: Zino Francescatti

Recordings made with the Orchestre national de l'O.R.T.F. for Turnabout(?) and Scribendum[edit]

Dich Teure Halle Wagner Pdf Reader 2017

• 1966 Albéniz: Iberia
• 1966 Debussy: Iberia
• 1966 Debussy: La Mer
• 1966 Debussy: 'Prelude a l'apres-midi d'un faune
• 1967 Bizet: Jeux d'Enfants
• 1967 Bizet: Patrie Overture
• 1967 Bizet: Symphony in C
• 1967 Borodin: In the Steppes of Central Asia
• 1967 Mussorgsky: Khovanchina - Introduction and Persian Dance
• 1967 Rimsky-Korsakov: Golden Cockerel
• 1967 Rimsky-Korsakov: Russian Easter Festival Overture

Broadcast of the Orchestre Philharmonique de la R.T.F. for Euromuses[edit]

• 1962 Roussel: Suite in F, op. 33

Recordings made with the Orchestre de la Société des Concerts du Conservatoire for Decca[edit]

• 1946 Berlioz: Benvenuto Cellini Overture, Op. 23
• 1946 Fauré: Pavane, Op. 50
• 1946 Franck: Symphonic Variations, with Eileen Joyce, also released by LYS
• 1946 Franck: Symphony in D minor, also released by LYS
• 1946 Ravel: Boléro, also released by LYS
• 1946 Ravel: Daphnis et Chloé Suites 1 and 2, also released by LYS
• 1946 Roussel: Petite Suite Op. 39, also released by LYS
• 1946 Saint Saëns: Omphale's Spinning Wheel, Op. 31, also released by LYS
• 1947 Beethoven: Symphony No. 8 in F major
• 1947 Debussy: Ibéria, also released by LYS
• 1947 Debussy: Berceuse héroïque, also released by LYS
• 1947 d'Indy: Fervaal Prelude, Op. 40, also released by LYS
• 1947 Fauré: Pelléas et Mélisande Suite, Op. 80
• 1947 Mendelssohn: Symphony No. 5, Reformation, also released by LYS
• 1947 Prokofiev: Symphony No. 1, Op. 25, also released by LYS
• 1948 Berlioz: Le corsaire Overture, Op. 21
• 1948 Tchaikovsky: Symphony No. 6 in B minor, Op. 74, also released by LYS
• 1949 Berlioz: Romeo and Juliet excerpts, Op. 9
• 1949 Berlioz: Les Troyens - 'Royal Hunt and Storm Music'
• 1949 Ravel: Piano Concerto, pianist: Nicole Henriot-Schweitzer

Recordings made with the Orchestre de la Societe des Concerts du Conservatoire for HMV and Warner[edit]

• 1939 Bloch: Violin Concerto in A minor, Violinist: Joseph Szigeti
• 1939 Ravel: Concerto for the Left Hand, Pianist: Alfred Cortot, also released by LYS
• 1939 Vivaldi orchestrated by Dandelot: Violin Concerto in D Major, Op. 3, No. 9, Violinist: D. Soriano
• 1939 Mozart: Violin Concerto No. 7 in D major, K. 217a, Violinist: D. Soriano
• 1939 Gabriel Faure: Bercuse for Violin and Orchestra, Violinist: D. Soriano
• 1941 Delannoy: La pantoufle de vair : Danse des négrillons et Apothéose (Grand Suite on the ballet, Cinderella) Violinist: Henri Merkel, also released by A Classical Record, Malibran, and LYS
• 1941 Delannoy: Sérénade concertante for Violin Violinist: Henri Merkel, also released by A Classical Record, Malibran, and LYS
• 1941 Franz Liszt: Piano Concerto No. 1 in E-flat major, S. 124, Pianist: Joseph Benenuti
• 1941 Gustave Samazeuilh: Le Cercle des heures, Mezzo Soprano, Eliette Schenneberg
• 1941 Gustave Samazeuilh: Nuit, also released by A Classical Record
• 1941 Ernesto Halffter: Rapsodia Portugesa Pianist: Marguerite Long, also released A Classical Record and LYS
• 1941 Honegger: La Danse des Morts with Jean-Louis Barrault, Odette Turba-Rabier, Charles Panzera and Elaine Schenneberg with chorus, also released by LYS
• 1941 Mozart: Violin Concerto No. 5, K. 219, Violinist: Jacques Thibaud
• 1942 DebussyLa mer, also released by A Classical Record and LYS
• 1942 Honegger: Symphony No. 2, also released by A Classical Record and LYS
• 1942 Mozart: Piano Concerto No. 20, K. 466, Pianist: Jean Doyen, also released by A Classical Record and LYS
• 1942 Ravel: La valse, also released by A Classical Record and LYS
• 1942 Ravel: Pavane for a Dead Princess, also released by A Classical Record and LYS
• 1942 Ravel: Concerto for the Left Hand, Pianist: Jacques Février, also released by LYS
• 1942 Tchaikovsky: Piano Concerto No. 1, Pianist: Kostia Kostantinov, also released by LYS
• 1944 Beethoven: Piano Concerto No. 5, Op. 73,The Emperor, Pianist: Marguerite Long, also released by A Classical Record
• 1946 Louis Aubert: Habanera, also released by A Classical Record and LYS
• 1946 Chopin orchestrated by Louis Aubert: La Nuit ensorcelée (Enchanted Night), also released by A Classical Record
• 1946 Jolivet: Les Trois complaintes du soldat vaincu (Three Laments of the Defeated Soldier) Soloist: Pierre Bernac also released by A Classical Record

Recordings made with the Orchestre de la Societe des Concerts du Conservatoire for Oiseau-Lyre[edit]

• 1938 Haydn: Sinfonia Concertante for Violin, Viola, Cello, Oboe and Basson, also released by A Classical Record

Recording made with the Paris Philharmonic for Polydor[edit]

• 1938 Ravel: Concerto for the Left Hand, Pianist: Jacqueline Blanchard
• 19?? Widor: Fantasy for Piano and Orchestra, Pianist: M. Herrenschmidt

Recordings made with the Philadelphia Orchestra for Columbia Records[edit]

• 1963 Berlioz: La Damnation de Faust' - excerpts
• 1963 Fauré: Pelléas et Mélisande Suite, Op. 80
• 1963 Ravel: Valses nobles et sentimentales

Broadcast of the Philadelphia Orchestra released on the Philadelphia Orchestra's Centennial Set[edit]

• 1963 Ravel: Daphnis et Chloé Suite No. 2

Recordings (Live) made with the Prague Radio Symphony Orchestra issued by Panton[edit]

• 1967 Martinů: Symphony No. 6 Fantaisies Symphoniques

Broadcast of the RAI Symphony Orchestra released by Tahra[edit]

• 1951 Beethoven: Symphony No. 6Pastorale
• 1951 Debussy: La Mer

Recording made with the Rotterdam Philharmonic for Turnabout(?) and Scibendum[edit]

• 1962 Franck: Symphony in D minor
• 1967 Beethoven: Symphony No. 6Pastorale

Recording made with the Royal Philharmonic Orchestra for Reader's Digest[edit]

• 1963 Bizet: Symphony in C
• 1963 Tchaikovsky: Francesca da Rimini, Op.32

Broadcast of the Symphony of the Air released by Music & Arts[edit]

• 1957 Debussy: La Mer

Recording of the USSR State Academic Orchestra released by Meloydia[edit]

• 1965 Debussy: La Mer
• 1965 Honegger: Symphony No. 2
• 1965 Rameau orchestrated by d'Indy: Dardanus Suite'
• 1965 Roussel: Bacchus et Ariane, Suite No. 2

Recordings Lacking Full Information[edit]

• 19?? Debussy: La Mer, one movement, Orchestra:?, Suppraphon
• 19?? Martinů: Symphony No. 6 Fantaisies Symphoniques, one movement, Orchestra:?, Suppraphon

The Suppraphon recordings were part of '45' record that was a bonus insert in a booklet-length biography(?) of Munch in Czech issued by Suppraphon. The Boston Symphony Orchestra Archives has the booklet and recording with the details.

Video of Charles Münch on DVD[edit]

DVD with the Boston Symphony on ICA[edit]

• 1958 Anton Bruckner: Symphony No. 7 in E Major
• 1958 Claude Debussy: La Mer
• 1958 Felix Mendelssohn: Symphony No. 4 in A Major, Op. 90
• 1958 Wolfgang Amadeus Mozart: Symphony No. 36, 'Linz'
• 1958 Ravel: Mother Goose Suite
• 1959 Beethoven: Symphony No. 5 in C minor, Op. 67
• 1959 Fauré: Pelléas et Mélisande Suite, Op. 80
• 1959 Joseph Haydn: Symphony No. 98 in B flat Major, Hob.1:98
• 1959 Felix Mendelssohn: Symphony No. 3 in A minor, Op. 56
• 1959 Wolfgang Amadeus Mozart: Masonic Funeral Music K477/479a
• 1959 Wolfgang Amadeus Mozart: Symphony No. 38, 'Prague'
• 1959 Robert Schumann: Symphony No. 2 in C Major, Op. 61
• 1960 Beethoven: Creatures of Prometheus, excerpts, Op. 43
• 1960 Johannes Brahms: Symphony No. 2 in D Major, Op. 73
• 1960 George F. Handel/Hamilton Harty: Water Music Suite
• 1960 Richard Wagner: Die Meistersinger – Act III Excerpts
• 1961 Beethoven: Symphony No. 4 in B flat major, Op. 60
• 1961 Johannes Brahms: Symphony No. 1 in C minor, Op. 68
• 1961 Claude Debussy: Ibéria
• 1961 Franck: Symphony in D Minor
• 1961 Robert Schumann: Overture to Genoveva, Op. 81
• 1962 Franz Schubert: Symphony No. 5 in B flat major, D485

DVD with the Boston Symphony on NHK[edit]

• 1960 Japanese National Anthem: Kimi Ga Yo
• 1960 Smith, John Stafford: Star Spangled Banner
• 1960 Beethoven: Symphony No. 3 in E-Flat Major, Op. 55
• 1960 Ravel: Daphnis et Chloé Suite No. 2

DVD with the Boston Symphony on VAI[edit]

• 1962 Berlioz: Symphonie Fantastique
• 1962 Debussy: La Mer
• 1962 Ravel: Daphnis et Chloé Suite No. 2
• 1966 Berlioz: L'Enfance du Christ with the Harvard Glee Club and Radcliffe Choral Society and Soloists Donald Gramm, Florence Kopleff, Donald Meanders, John McCollum, and Theodore Uppman

DVD with the Chicago Symphony Orchestra on VAI[edit]

• 1963 Berlioz: Les Troyens - Royal Hunt and Storm Music
• 1963 Rameau orchestrated by d'Indy: Dardanus Suite
• 1963 Ravel: La Valse
• 1963 Ravel: Valses nobles et sentimentales

DVD with the Orchestre National de l'ORTF on EMI[edit]

• 1966 Brahms: Symphony No. 1 in C Minor, Op. 68 (Movements II through IV only)
• 1966 Ravel: Daphnis et Chloé Suite No. 2

DVD with the Orchestre de Radio-Canada on VAI[edit]

• 1963 Berlioz: Symphonie Fantastique

DVD The Art of Conducting Volume II on EMI[edit]

• 1957 Franck: Symphony in D Minor - excerpts with the Czech Philharmonic
• 1962 Berlioz: Symphonie Fantastique - excerpts with Boston Symphony
• 1962 Debussy: La Mer - excerpts with Boston Symphony
• 1962 Ravel: Daphnis et Chloé Suite No. 2 - excerpts with Boston Symphony
• 1966 Berlioz: Symphonie Fantastique - excerpts with the Hungarian Radio and Television Orchestra