1. Berio Sequenza Flute Universal Edition Publishing Software
2. Universal Edition Publishing
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The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred, sometimes also shortened as Hornpipe, is an arrangement for six players of Henry Purcell's Hornpipe, from The Fairy-Queen, by Italian composer Luciano Berio. This arrangement was composed in 1969.

Composition[edit]

Luciano Berio was already known not only as an avant-garde composer, but also as an arranger, of his own music as well as of others. This composition was specifically composed for the celebration of the eightieth birthday of Alfred Kalmus, the then-director of the London branch of Universal Edition, Berio's main publishing house. This composition ended up being the fifth in a series of compositions by eleven different composers, including Pierre Boulez, Karlheinz Stockhausen and Harrison Birtwhistle. The whole series of compositions was entitled A Garland for Dr. K. The whole set of works were premiered as a group by the Pierrot Players on 22 April 1969, at the Queen Elizabeth Hall in the Southbank Centre, London.^[1][2] The Hornpipe was later published by Universal Edition.

Structure[edit]

Teaching with Extended Flute Techniques O. (Universal Edition) Robert Dick. Lookout (Multiple Breath. (Universal) Luciano Berio. Sequenza I (Zerboni/Universal. The Sequenza-Series is considered to be one of the most important cycles of the 20th century. Berio: Sequenza I for flute Universal Edition To be able to use Universal Edition in full range, we recommend activating Javascript in your browser. Composed by Luciano Berio. For Flute Sheet Music. Published by Universal Edition. (UE19957) Wednesday, December 26, 2018. Stanton ' s sheet music. Advanced Search. Voicing/Format Flute Composer Luciano Berio Publisher Universal Edition Catalog # UE19957.

The Sequenza series is regarded as one of the most important cycles of the 20th century. In this series Berio discovers the capabilities of an instrument and its player by making high technical demands thus creating an individual musical language for each instrument. Publisher ID: UE19957 Instrumentation: Flute. Buy Sequenza No. 1-Flute Solo (Flute Solo with P at jwpepper.com. Flute Sheet Music. 1-Flute Solo. BERIO, L - Universal Edition. Click to review. A completely new edition of the first of Berio's Sequenza's, each for a different solo instrument. This work was originally published in 1958, but ishere presented in an edition. Get this from a library! Sequenza I: per flauto solo (1958). [Luciano Berio].

The composition takes only one minute to perform and is in one movement.^[2] It is scored for a small ensemble consisting of flute or oboe, clarinet in B-flat, drum, viola, violoncello, and harpsichord. The composition is an arrangement of a popular piece by Purcell, which was used by Purcell in at least two occasions: it was used as a hornpipe in the first music of The Fairy-Queen, Z 629, prior to the first act, in 1692, and in the incidental music for Rule a Wife and Have a WifeWindows 8 activation keygen 2013.rar. , Z 587, in a song entitled 'There is not a swain', in 1693. Even though the melody is closer to the former, this piece is generally attributed to be an arrangement of the latter.^[3][4]

Recordings[edit]

• In 1976, Cristóbal Halffter, a composer who wrote one of the pieces in the series, released a complete recording of the set to which this composition belongs. The whole set was released on vinyl by Universal Edition under the title A Garland For Dr. K.: Compositions for the 80th Birthday of Dr. Alfred A. Kalmus. The set was recorded in April 1976 in Madrid.^[5]
• Members of the Orchestra Sinfonica di Milano Giuseppe Verdi recorded the piece under the baton of Riccardo Chailly under Decca Records. It was recorded in August 2004 in the Auditorium di Milano.^[6]

See also[edit]

References[edit]

1. ^'Luciano Berio The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred'. universaledition.com. Universal Edition. Retrieved 30 March 2015.
2. ^ ^ab'Henry Purcell – Luciano Berio The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred'. lucianoberio.org. Centro Studi Luciano Berio. Retrieved 30 March 2015.
3. ^'ITALY IN THE WORLD Italian contemporary music worldwide 2004'(PDF). Sonoran News. 5 (13): 3. 2004. Retrieved 30 March 2015.
4. ^Dromey, Christopher (2012). The Pierrot ensembles : chronicle and catalogue 1912-2012(PDF). London: Plumbago Books. p. 126. ISBN978-0-9566007-3-8. Retrieved 30 March 2015.
5. ^'Various – A Garland For Dr. K.'discogs.com. Discogs. Retrieved 30 March 2015.
6. ^Montecchi, Giordano (2004). Riccardo Chailly Berio: Orchestral Transcriptions (Liner Notes of Decca 4762830). Decca Records.

External links[edit]

• 'Henry Purcell/Luciano Berio: Hornpipe (1969)'. Wellesz Theatre: YouTube. September 24, 2012.

Berio Sequenza Flute Universal Edition Publishing Software

Luciano Berio's Sequenza I for flute (1958) is an example of a partially indeterminate musical form. Berio notated the piece so that an individual staff line has a fixed duration, while the durations of individual notes are indicated proportionately--that is, a small distance between one note and the next denotes a short duration, whereas a greater distance denotes a longer duration. The actual realization of such guidelines is left to the player in such a way that specific elements in the score will vary with each performer and each performance. This kind of 'open' structure allows for flexibility within an otherwise rigorous form. The melodic and harmonic content of Sequenza I grew out of Berio's serial-influenced language, resulting in a highly controlled employment of pitch. Spontaneity in performance, then, comes from the moment-to-moment adjustments of rhythm and performance gesture called for by Berio's suggestive--rather than prescriptive--notation.

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Universal Edition Publishing

This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I. Like Berio's successive solo works--and apart from certain rhetorical-historical commentary that may be present in these--Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line. Berio's precedents in this regard include the solo flute and other solo instrumental works of Bach, but the harmonic language of the twentieth century required a new approach to this 'virtual polyphony.' Berio's approach is one that allows the proliferation of different kinds of musical drama; at the same time, though, harmonic rules are invented and played out.

The pitch materials of Sequenza I are initially simple, consisting primarily of descending chromatic scale passages that incorporate octave displacement and rhythmic ambiguity. The symmetrical chromatic scale gives way to more complex collections of notes; these more complex gestures are incorporated into the work in a way that provides the impression whole blocks of notes in counterpoint with other blocks. Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: it is Berio's harmonic thread and the performer's sense of the work's structural outlay that provide the work's unifying elements. Sequenza I was written for the flutist Severino Gazzelloni, who premiered the work at Darmstadt in 1958.

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